Centric

Recording

I carry a lot of my mastering ethos into my work in the studio during sessions, where applicable. Its the engineering aspects that I really enjoy, while I tend to leave production to those whom I trust more with the job than myself (not to say I am adverse to production). The circuits, the mic placement, the acoustics, the patching, the ADSRs & Control Voltages, the tape reels, the psychoacoustics, the resonance of instruments, the mechanics of emotions.

Tracking

In the live room and booths, as mentioned above, I love working with tangible, physical things. The drumset, is a particular favourite of mine to record, and there are some examples below that you can explore.

Engineering

In the control room, I am adaptable to a wide range of setups and systems, from all-analogue, to complex AoIP digital and everything in between. Through my work in live-audio, I have developed critical troubleshooting skills to keep a session moving no matter what.

Mixing

The intricacy of multitrack recording is exceptional, and it is hugely rewarding to sculpt an entirely new sound for an artist, as much as it is to nail their exacting requirements, to meet their own strict & personal standards. Either way, I like to mix on a case-by-case basis, and take my time with the projects I do take on.

Work Examples

Please see the descriptions of each track on SoundCloud, to read about the recording process.

Individual Instruments

A collection of individual instruents that I tracked, that have exceptional sound qualities.

Naming convention:
[YYMMDD]_Centric-[Inst.]Example#_[Performer]_[StageOfPrint]

Studio Live to 2-Track

A collection of live to 2-track sessions, straight from the console.

Naming convention:
[YYMMDD]_Centric-LiveTo2Example#_[Artist/Band]