With experience on Allen & Heath SQ, Midas M32, PreSonus StudioLive, AVID S and Yamaha QL, CL and Rivage models, I am easily adaptable to any venue size/type, and work surface. Using these mixers under all three of the headers you see here, I also work fast, without any detrement to the detail of my work or the care given to each and every member on stage.
Mixing live coordinating with FOH engineers, or on the spot, alongside my own FOH mix. On the fly, in a pub, setting up a stereo buss routed to the 2-track USB recorder, monitored from the headphone output, while I'm also running FOH for that same show. Or large theatres using Yamaha TWINLANe and Dante AoIP, to route audio from the mic-pres to FOH, monitors and the streaming studio, where I have studio monitors and a rack of gear to utilise. No job is too big or too small.
Given the chance (which is now ever-growing thanks to digital consoles), I can take a multitrack from your show, and apply concepts separate to those found on my Recording page - An entire, dedicated prep-session for de-noising, de-bleeding, and other general cleanup, prior to mixing. I have deeply refined this process, to leave no unwanted artifacts. Wether you just need tracks cleaned up, or a whole "full concert capture" mix & master to sync to video, I can ensure the most transparent results.